Originally published 1964
This edition: International Polygonics Library of Crime Classics, 1984
Source: I borrowed this from the library.
I’m continuing my haphazard tour through Margaret Millar, and this is a really good one though not my favorite. It’s a haphazard tour because most of her books are out-of-print so I’m reading what I can find for now.
Margaret Millar is getting lots of press lately because of her inclusion in Women Crime Writers of the 1940’s and 1950’s from the Library of America, and I’ll admit it’s one of the reasons I decided to try her in the first place. I’m approaching her stuff as a crime fiction fan who’s not an expert in the history of the genre, but I will say that it’s obvious that her focus on psychology and suspense has influenced lots of the contemporary writers I read. Millar gets into the minds of her characters without writing chapters in alternating first-person narration, and it makes me like her books more. I tend to be very picky about first-person narrators. All of her characters are given depth, which is quite a feat. And she is pretty damn good at plotting, though that’s not the focus of this particular story.
If you can’t already tell from the on-the-nose-cover of this particular edition, The Fiend spends a lot of time with a character, Charlie Gowen, who is a convicted sex offender who is released from a psychiatric facility and appears to be close to re-offending. There are quite a few other fiendish or at least extremely unhappy characters in this novel, which happens to take place in the same San Felice (a stand-in for Santa Barbara) as part of the last Millar I read, How Like an Angel. Millar has a great deal of sympathy for Charlie, and she doesn’t sensationalize him or his brain’s workings, which is quite impressive. There are so many distressing things happening in the lives of these characters that it’s just one sad part of the story. Charlie discovers Jessie Brant, a nine-year-old girl, and her best friend Mary Martha Oakley on a school playground during his lunch hour. Mary Martha’s parents’ protracted custody battle, the Jessie’s parents’ marital troubles as well as the troubles of their next-door-neighbors frame this story. Millar obviously had marital discord and how young children interpret such discord among grown-ups on her mind, and it provides a fertile background to the story.
This book reminded me a great deal of Tom Perrotta’s Little Children in its focus on unhappy couples and a sex offender living in the neighborhood: the same sort of disappointment and paranoia suffuse this story. I think it’s probably uncommmon to write a book about sex offenders in the first half of the 1960’s. Because both Beast in View and How Like an Angel were so ingenious in their plotting, this book paled in comparison plot-wise. I didn’t mind though because the characters and their paranoia were so vivid.
I heartily recommend this book. Three Millars down, 24 more to go!